STAMPA
• Premiere of the Opera «Bastien/Bastienne und der Schauspieldirektor» at the Salzburg Festival in Summer 2006
«...The young opera stars of today are more prominent through their flexibility and joy of playing, and are not to be compared with the rather stiff singers of earlier days. Allround talent is necessary in order to make a real career these days. Evmorfia Metaxaki is a convincing example of this...»
Salzburger Festspielen 2006
Festspielmagazin Part # 1
(von Ulrike Godler)
• Performance of the Opera «Bastien/Bastienne und der Schauspieldirektor» at the Salzburg Festival in Summer 2006
«...Two sopranos were on offer, one a …,and the other a Greek, with the marvelous name of Evmorfia Metaxaki. Ms. Metaxaki was bright of sound, and bright of manner, too. She seems to have many, many operatic tools. And she took notable pleasure in her singing – which is one of these tools...»
From The New York Sun on August 22, 2006
(review by Jay Nordlinger)
• Performance of the Opera «Bastien/Bastienne und der Schauspieldirektor» at the Salzburg Festival in Summer 2006
«...The vocally accomplished Singers who took the roles of the two Bastiennes (…and Evmorfia Metaxaki) were good sports about deferring to their puppet doubles on the stage...»
From The New York Times on August 7, 2006
(review by Anthony Tommasini)
• Performance of the Opera «Orpheus und Eurydike» on March 2006
«...Evmorfia Metaxaki gives Amor positive, lustrous tones. The audience was deeply imressed...»
www.Opernnetz .de
• Premiere of the Opera «Orpheus und Eurydike» on January 28, 2006
«...One requires an intelligent and virtuoso partner for such an unusual of this Opera….and this person was found in Evmorfia Metaxaki….
And at the end, when the soloists received their frenetic applaus...»
www.mz-web.de on January 30, 2006
(review by Andreas Hillger)
• Première of the operetta «A Night in Venice» on June 18, 2005
Evmorfia Metaxaki is celebrated at the Summer Theatre!
Much applause for Evmorfia Metaxaki at the Magdeburg Summer theatre.
The audience was very impressed by this young soprano in the operetta
«A Night in Venice»
«The ensemble showed great joy at playing and immense musical accuracy, particularly the wonderful Evmorfia Metaxaki as Ciboletta»
From «Die Volksstimme» on June 20, 2005
(review by Dr. Herbert Henning)
• Rehearsal report of he operetta «A Night in Venice» on June 15, 2005
« at this evening rehearsal, Evmorfia Metaxaki was very convincing, both musically and theatrically…»
From «Magdeburger Sonntag» on June 19 2005
(review by Beate Arndt)
• Performance of the opera «Trouble in Tahiti» on May 20, 2005
«…Dinah was very impressively played and breathtakingly sung by Evmorfia Metaxaki…»
From «Magdeburger Stadtjournal» on June 3, 2005
(review by Dagmar Drescher)
• Performance of the opera «Trouble in Tahiti» on May 3, 2005
«…Evmorfia Metaxaki as Dinah was a wonderfully luminous soprano…»
From «Deutsche Bühne» on May 11, 2005
(review by Andreas Berger)
• Première of the opera «La Bohème» on April 30, 2005
«…The biggest surprise of all was Evmorfia Metaxaki who, with occasional sharpness, played the part of Musetta, Marcello’s shrill companion…»
From «Mitteldeutsche Zeitung» on May 3, 2005
(review by Johannes Killyen)
• Première of Leonard Bernstein’s «Trouble in Tahiti» on March 11, 2005
«…Both the delicate vocal artistry and the convincing acting of Evmorfia Metaxaki, especially in the song «Island Magic», make it a real pleasure to watch this little melodrama…»
From «Die Volksstimme» on March 15, 2005
(review by Dr. Herbert Henning)
• Première of Mozart’s «Cosi fan tutte» on January 8, 2005
« Evmorfia Metaxaki surprises as a rascally, teenaged Despina, but there is nothing soubrettish about her voice. She sings and acts with a fiendish, very natural charm…»
From «Die Volkstimme» on January 10, 2005
(review by Dr. Herbert Henning)
• Première of Mozart’s «Cosi fan tutte» on January 8, 2005
«…The vocal highlight of the production was, however, without a doupt,……….and Evmorfia Metaxaki as Despina! Great praise is due to this smoothly guided, emotionally multifaceted voice, which is of a quality that would certainly hold its own at the international level!…»
From «Die Volksstimme» on January 12, 2005
(review by Jan Standke, Wellen)
• Première of the operetta «Countess Mariza» on November 13, 2004
« When the Baron Zsupan dances with his Countess Lisa (the enchanting Evmorfia Metaxaki) on the stairs, one believes in the resurrection of Fred Astaire and Ginger Rodgers à la Hollywood!...»
From «Die Volksstimme» on November 15, 2004
(review by Dr. Herbert Henning)
• «Memories» in the Cafe Rossini of the Magdeburg Opera on September 28, 2004
«…An especially fine intermezzo was delivered by the Greek soprano Evmorfia Metaxaki, who gave us all goosebumps with her interpretation of a song by Mikis Theodorakis.-.wonderful!...»
From «Magdeburger Stadtjournal» on October 1, 2004
(review by Dagmar Drescher)
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