|
• «Die Zauberflöte» - Theater Magdeburg
«...Evmorfia Metaxaki als Pamina ist eine Entdeckung: vital die Stimme, liebreizend die Erscheinung...»
Mitteldeutsche Zeitung am 12. Dezember 2008
(von Ute van der Sanden)
• «Die Zauberflöte» - Theater Magdeburg
«...Mit Evmorfia Metaxaki als Pamina und..., hat diese Zauberflöten-Inszenierung ein wirkliches Mozart-Traumpaar. Ihr Gesang ist von betörender Schönheit, ihr Spiel von grosser überzeugender Natürlichkeit...»
Volksstimme am 24. November 2008
(von Herbert Henning)
• «Idomeneo» - Theater Magdeburg
«...Evmorfia Metaxaki als Ilia ist eine wunderbare Mozartsängerin, ein klarperlend-impulsiver Sopran...»
Die deutsche Bühne 01/08
(von Detlef Brandenburg)
• «Idomeneo» - Theater Magdeburg
«...es gibt eine wirklich wunderbare jugendliche Stimme. Evmorfia Metaxaki in der Rolle der Prinzessin Ilia. Sie ist eine glühender, blühender Sopran, eine herrliche Stimme die auch die Koloraturen schön sitzend beherrscht...»
Deutschlandfunk 18. November 2007
(von Stefan Keim)
• «Bastien/Bastienne und der Schauspieldirektor» - Salzburger Festspiele
«...The young opera stars of today are more prominent through their flexibility and joy of playing, and are not to be compared with the rather stiff singers of earlier days. Allround talent is necessary in order to make a real career these days. Evmorfia Metaxaki is a convincing example of this...»
Salzburger Festspielen 2006
Festspielmagazin Part # 1
(von Ulrike Godler)
• «Bastien/Bastienne und der Schauspieldirektor» - Salzburger Festspiele
«...Two sopranos were on offer, one a …,and the other a Greek, with the marvelous name of Evmorfia Metaxaki. Ms. Metaxaki was bright of sound, and bright of manner, too. She seems to have many, many operatic tools. And she took notable pleasure in her singing – which is one of these tools...»
From The New York Sun on August 22, 2006
(review by Jay Nordlinger)
• «Bastien/Bastienne und der Schauspieldirektor» - Salzburger Festspiele
«...The vocally accomplished Singers who took the roles of the two Bastiennes (…and Evmorfia Metaxaki) were good sports about deferring to their puppet doubles on the stage...»
From The New York Times on August 7, 2006
(review by Anthony Tommasini)
• «Orpheus und Eurydike» - Theater Magdeburg
«...Evmorfia Metaxaki gives Amor positive, lustrous tones. The audience was deeply impressed...»
www.Opernnetz .de
• «Orpheus und Eurydike» - Theater Magdeburg
«...One requires an intelligent and virtuoso partner for such an unusual of this Opera….and this person was found in Evmorfia Metaxaki….
And at the end, when the soloists received their frenetic applaus...»
www.mz-web.de on January 30, 2006
(review by Andreas Hillger)
• «A Night in Venice» - Theater Magdeburg
Evmorfia Metaxaki is celebrated at the Summer Theatre!
Much applause for Evmorfia Metaxaki at the Magdeburg Summer theatre.
The audience was very impressed by this young soprano in the operetta
«A Night in Venice»
«The ensemble showed great joy at playing and immense musical accuracy, particularly the wonderful Evmorfia Metaxaki as Ciboletta»
From «Die Volksstimme» on June 20, 2005
(review by Dr. Herbert Henning)
• «A Night in Venice» - Theater Magdeburg
« at this evening rehearsal, Evmorfia Metaxaki was very convincing, both musically and theatrically…»
From «Magdeburger Sonntag» on June 19 2005
(review by Beate Arndt)
• «Trouble in Tahiti» - Theater Magdeburg
«…Dinah was very impressively played and breathtakingly sung by Evmorfia Metaxaki…»
From «Magdeburger Stadtjournal» on June 3, 2005
(review by Dagmar Drescher)
• «Trouble in Tahiti» - Theater Magdeburg
«…Evmorfia Metaxaki as Dinah was a wonderfully luminous soprano…»
From «Deutsche Bühne» on May 11, 2005
(review by Andreas Berger)
• «La Bohème» - Theater Magdeburg
«…The biggest surprise of all was Evmorfia Metaxaki who, with occasional sharpness, played the part of Musetta, Marcello’s shrill companion…»
From «Mitteldeutsche Zeitung» on May 3, 2005
(review by Johannes Killyen)
• «Trouble in Tahiti» - Theater Magdeburg
«…Both the delicate vocal artistry and the convincing acting of Evmorfia Metaxaki, especially in the song «Island Magic», make it a real pleasure to watch this little melodrama…»
From «Die Volksstimme» on March 15, 2005
(review by Dr. Herbert Henning)
• «Cosi fan tutte» - Theater Magdeburg
« Evmorfia Metaxaki surprises as a rascally, teenaged Despina, but there is nothing soubrettish about her voice. She sings and acts with a fiendish, very natural charm…»
From «Die Volkstimme» on January 10, 2005
(review by Dr. Herbert Henning)
• «Cosi fan tutte» - Theater Magdeburg
«…The vocal highlight of the production was, however, without a doupt,……….and Evmorfia Metaxaki as Despina! Great praise is due to this smoothly guided, emotionally multifaceted voice, which is of a quality that would certainly hold its own at the international level!…»
From «Die Volksstimme» on January 12, 2005
(review by Jan Standke, Wellen)
• «Countess Mariza» - Theater Magdeburg
« When the Baron Zsupan dances with his Countess Lisa (the enchanting Evmorfia Metaxaki) on the stairs, one believes in the resurrection of Fred Astaire and Ginger Rodgers à la Hollywood!...»
From «Die Volksstimme» on November 15, 2004
(review by Dr. Herbert Henning)
• «Memories» - Theater Magdeburg
«…An especially fine intermezzo was delivered by the Greek soprano Evmorfia Metaxaki, who gave us all goosebumps with her interpretation of a song by Mikis Theodorakis.-.wonderful!...»
From «Magdeburger Stadtjournal» on October 1, 2004
(review by Dagmar Drescher)
|
