About

 

„BEING AN ALL-ROUND STAGE TALENT IS NECESSARY NOWADAYS IN ORDER TO BUILD A CAREER. EVMORFIA METAXAKI IS A CONVINCING EXAMPLE“

SALZBURGER FESTSPIELE

Greek soprano Evmorfia Metaxaki critically acclaimed for her performance as the title role in Strauss´ Salome, celebrates her success as an opera singer not only because of her powerful, silver sparkling voice, confident in all registers, but also for her versatility with which she slips into every role. For her portrayal of Salome, she was named VOICE OF THE YEAR 2022 by Opernratgeber in Germany and BEST VOCAL PERFORMER by Der Opernfreund for having fulfilled Strauss ´demand for a 16-year-old princess with Isolde´s voice. 

Ms. Metaxaki was presented to the public at the Salzburg Festival as a „Star of the new generation CON BRIO“. She has made her successful début as Mademoiselle Silberklang in Mozart ́s Der Schauspieldirektor, and sang the role of Bastienne in Mozart ́s Bastien und Bastienne (both available on DVD by Deutsche Grammophon). 

Highlights of recent seasons have included her debut as Mimi in Puccini ´s La Bohème, as well as her interpretations of Tatyana in Tchaikovsky´s Eugene Onegin, Marguerite in Gounod´s Faust, the Countess in Mozart´s Le nozze di Figaro, Micaëla in Bizet´s Carmen and Hanna Glawari in Lehár´s The Merry Widow. Her 2025/26 season includes two more role debuts: the Marschallin in Strauss´s Der Rosenkavalier and the title role in Puccini´s Tosca. As a champion of an unusually wide range of repertoire, Evmorfia has performed the role of Iseut in Frank Martin´s Oratorio Le vin herbé in 2025. 

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A notable Governess, her most recent performances of The Turn of the Screw were acclaimed by critics and audiences. In 2014 she joined the ensemble of the Theater Lübeck, where she appeared a.o. as Donna Anna (Don Giovanni), Contessa (Le nozze di Figaro), Pamina (Die Zauberflöte), Ilia (Idomeneo), Ginevra (Ariodante), Seleuce (Tolomeo), Marzelline (Fidelio), Giulietta (Capuletti e Montecchi), Adina (L´elisir d´amore), Corinna (Il viaggio a Reims), Baronin Freimann (Der Wildschütz), Ghita (Der Zwerg), Xenia (Boris Godunov directed by Peter Konwitchny), Isabelle (Christophe Colomb), Dede (A Quiet Place), and Mrs.Coyle (Owen Wingrave).

She has made guest appearances at the Salzburg Festival, the Konzerthaus Berlin, the Deutsche Oper am Rhein (Clorinda-La Cenerentola), the Salzburg State Theatre (Micaela-Carmen), the Potsdamer Winteroper, the Greek National Opera (Musetta-La Bohème/collaboration with Graham Vick), the Staatstheater Mainz, the Staatstheater Braunschweig, the Staatstheater Cottbus, the Theater Dortmund, and the Theater of Erfurt. On the concert stage, she has performed Beethoven´s 9th Symphony and Mahler´s 2nd Symphony under the direction of Stefan Vladar. Her repertoire also includes Mozart´s Requiem, Verdi´s Requiem and the Vier Letzte Lieder by Richard Strauss. 

She has been a frequent guest with the Lautten Compagney Berlin. In 2011, she sang Armida in Händel ́s Rinaldo, and she has toured in Germany and Switzerland under Wolfgang Katschner (co-production with the Händel Festival Halle). In 2012, she took the part of Almirena (Rinaldo), and thus extended her Händel repertoire. At the 19th Magdeburg Telemann Festival she sang Rodelinda in Telemann ́s Flavius Bertaridus. 

From 2004 – 2010, Evmorfia was engaged by the Theater Magdeburg and she was the recipient of the prestigious „Förderpreis für junge Künstler“ (SPECIAL PRIZE FOR YOUNG ARTIST). She appeared in roles such as Zerlina (Don Giovanni), Gretel (Hänsel und Gretel), Euridice (Orphée aux enfers), Despina (Così fan tutte), and Maria (West Side Story). She also worked with the renowned director Andreas Kriegenburg in his first opera productions, Mozart ́s Idomeneo and Gluck ́s Orpheus und Eurydike. The Gluck production was nominated for the esteemed German Theater Award DER FAUST 2006. 

The Athens-born singer studied with Lilian Sukis at the University Mozarteum in Salzburg and attended master classes given by Brigitte Fassbaender, Barbara Bonney, Thomas Hampson, Stella Doufexis and Hartmut Höll. For her interpretation of Susanna (Le Nozze di Figaro), she received the prestigious „LILLY LEHMANN“-MEDAL, the highest award given by the International Mozart Foundation. During her studies, she received scholarships from the Mozarteum University of Salzburg, the Gianna-Szel-Foundation and the Lions Club Salzburg. In 2010 she was finalist at the International Singing Competition GRANDI VOCI in Salzburg.

„VOICE OF THE YEAR 2022 for her incomparable Salome“

IHR OPERNRATGEBER

„Her portrayal of Tatyana requires vocal and acting skills which the greek soprano masters brilliantly“

OPERA ONLINE

„Best vocal performer for her portrayal of Salome“

DER OPERNFREUND

News

 

„Rosenkavalier“- Reviews

„Evmorfia Metaxaki (Marschallin): in wienerischer Leichtigkeit sängerisch und schauspielerisch Grazie und Feinheit darstellend“

KULTUR-PORT.DE

„Mit perfekten Piani gestaltete sie ihre Szenen und ihren großen Monolog im ersten Akt und ließ ihre klangschöne Stimme mit den zarten Klängen des Orchesters wunderbar verschmeltzen“

IOCO.DE

“Ihre Arie am Ende des ersten Aktes war ein stiller, intensiver Höhepunkt“

HL-LIVE.DE

“Evmorfia Metaxaki besitzt eine Stimme von großer Klarheit und außerordentlicher Feinheit“

UNSER-LUEBECK.DE

Sublime role debut as Mimi

On April 2024, Evmorfia Metaxaki made her role debut as Mimi in Angela Denoke´s new production of Puccini ´s LA BOHÈME at the Theater Lübeck. According to the press:

„Evmorfia managed a touching to poignant interpretation of Mimi with magically formed piano passages, great bows and outstanding dramatic accents. A role that you could hardly wish for better. An impressive achievement.“

IHR OPERNRATGEBER 

Die lustige Witwe – F. Lehár

„…In Evmorfia Metaxaki hatte er das Glück, eine Idealbesetzung der Hauptrolle parat zu haben. Mit berückender Sopranstimme und herrlicher schauspielerischer Darstellungskraft, wandelbar, ganz weibliche Eleganz und Raffinesse vermittelnd, betörte sie das Publikum, das sich immer wieder zu Zwischenapplaus hinreißen ließ – und am Schluss zu Standing Ovations…“

DAS OPERNGLAS

„…In der Titelpartie brillierte Evmorfia Metaxaki mit ihrem großen, warm timbrierten lyrischen Sopran und ihrer überaus charmanten, intensiven Darstellung der jungen Witwe Hanna Glawari…“

IOCO.DE

 

„…a creamy middle register, a voluminous top but with the facility to sing wonderful piano in the extreme heights…“

OPERNGLAS

„Evmorfia Metaxaki is an exquisite Mozart singer, a clear-sparkling, impulsive soprano…“

DIE DEUTSCHE BÜHNE

„A brilliant interpretation of the role of Countess Almaviva …“

IHR OPERNRATGEBER

SCHEDULE

PERFORMANCES 2025 / 2026

DER ROSENKAVALIER (Marschallin) – RICHARD STRAUSS

Stefan Vladar, Conductor
Michael Wallner, Director
Philharmonisches Orchester der Hansestadt Lübeck

October 18 & 31 / November 9 & 29 / December 7 & 28
2025

January 11 & 17 / February 15

2026

THEATER LÜBECK, GERMANY

LES CONTES D´HOFFMANN (Giulietta) – JACQUES OFFENBACH

Takahiro Nagasaki, Conductor
Philipp Himmelmann, Director
Philharmonisches Orchester der Hansestadt Lübeck

January 31 / February 7 & 19 / March 8 & 20 / April 19 / May 16 & 23 

June 5 & 18
2026

THEATER LÜBECK, GERMANY

CARMEN (Micaëla) – GEORGES BIZET

Stefan Vladar, Conductor

Philipp Himmelmann, Director

Philharmonisches Orchester der Hansestadt Lübeck

September 21 / October 5, 11 & 23 

November 16 / December 12

2025

January 10 / February 27

March 6 & 27

2026

THEATER LÜBECK, GERMANY

TOSCA (Floria Tosca) – GIACOMO PUCCINI

Stefan Vladar, Conductor

Dietrich Hilsdorf, Director

Philharmonisches Orchester der Hansestadt Lübeck

June 13, 20 & 26

2026

PAST HIGHLIGHTS 

SALZBURGER FESTSPIELE

Bastien und Bastienne  (Bastienne) – W.A.Mozart

Der Schauspieldirektor (Mlle.Silberklang) – W.A.Mozart

DVD Recording / Deutsche Grammophon

HÄNDEL FESTSPIELE HALLE

Rinaldo (Armida + Almirena) – G.F.Händel

Lautten Compagney Berlin / Wolfgang Katschner

DEUTSCHE OPER AM RHEIN – DÜSSELDORF

La Cenerentola (Clorinda) – G.Rossini

Düsseldorfer Symphoniker / Antonino Fogliani

KONZERTHAUS BERLIN

Recital with Berliner Virtuosen Ensemble

NATIONAL OPERA OF GREECE

La Bohème (Musetta) – G.Puccini

Graham Vick, Director

MARIA CALLAS – OPERA GALA 

Quintetto Florilegium / Valerio De Giorgi

Teatro Apollo, Lecce, Italy

STAATSTHEATER BRAUNSCHWEIG
The Crucible (Mary Warren) – R.Ward

Staatsorchester Braunschweig / Christopher Lichtenstein

SAMOS YOUNG ARTISTS FESTIVAL
Song recital especially dedicated to Stella Doufexis

LAUTTEN COMPAGNEY BERLIN

New Year‘s Eve Concert „Love Songs“ – Henry Purcell

Gethsemanekirche, Berlin

MAGDEBURGER TELEMANN – FESTTAGE

Flavius Bertaridus (Rodelinda) – G.F.Händel

Opernhaus Magdeburg, Germany

FESTIVAL DE MÚSICA ANTIGA

Song recital „Amor Fati“ with Helena Raposo

Castelo Novo, Portugal

LÜBECKER LAUTEN LUST

Song recital „Amor Fati“ with Helena Raposo

Audienzsaal, Lübeck, Germany

RECORDINGS

MOZART 22:
THE COMPLETE OPERAS – SALZBURGER FESTSPIELE
DEUTSCHE GRAMMOPHON

The monumental Mozart 22 project, a highlight of the 2006 Salzburg Festival, returns in a new format. Featuring all 22 operas performed in Salzburg on the composer’s 250th birthday, this unique documentation showcases world-class directors, conductors, and singers, including acclaimed productions by Doris Dörrie, Claus Guth, and Joachim Schlömer. Renowned singers such as Anna Netrebko, Thomas Hampson, Magdalena Kozená, Diana Damrau, Ildebrando D´Arcangelo, and Evmorfia Metaxaki, along with esteemed conductors like Nikolaus Harnoncourt, Daniel Harding, Riccardo Muti, and Ivor Bolton, contributed to this exceptional celebration of Mozart’s genius.

WOLFGANG AMADEUS MOZART
BASTIEN UND BASTIENNE / DER SCHAUSPIELDIREKTOR
DEUTSCHE GRAMMOPHON

Wolfgang Amadeus Mozart: Bastien und Bastienne. Der Schauspieldirektor (DVD). This performance features outstanding actors such as Alfred Kleinheinz, Radu Cojocariu, Bernhard Berchtold, Evmorfia Metaxaki, and Aleksandra Zamojska in a production by the Salzburg Marionette Theater. The Junge Philharmonie Salzburg, conducted by Elisabeth Fuchs, accompanies the show, staged and designed by Thomas Reichert.

G.F. HÄNDEL, Rinaldo – „Furie terribili“ – Lautten Compagney Berlin

 

W.A. MOZART, Bastien und Bastienne – „Wenn mein Bastien einst im Scherze“ (live)

 

W.A. MOZART, Performing Mlle Silberklang and Bastienne at the Salzburg Festival (live)

CONTACT

Opernagentur
Winfried Hofinger

Friedrich-Lau-Str. 20
40474 Düsseldorf
Germany
+49 211 51 60 06 01

CONTACT

Opernagentur
Winfried Hofinger

Friedrich-Lau-Str. 20
40474 Düsseldorf
Germany
+49 211 51 60 06 01